Cast: Ranbir Kapoor, Deepika Padukone, Kalki Koechln, Aditya Roy Kapur Director : Ayan Mukherji Plot: Kabir Thappar (Ranbir Kapoor) a.k.a Bunny is a guy who wants to live life King size! Travelling to each and every corner of the world, chasing his dreams and making the best out of them is what he wants.
12:30 AM : And I think this is where their love story will begin, if it hadn’t already with the previous song. 12:30 AM : We get to hear a story about the ‘Bhuta’ parbat, which is haunted it seems and Ranbir and Deepika could care less about any haunted stories. they decide to climb the mountain peak on their own
Film : Go Goa Gone Bollywood Celebden Rating: 3.5 /5 Cast : Kunal Khemu, Vir Das, Anand Tiwari, Puja Gupta and Saif Ali Khan Music : Sachin-Jigar Direction : Raj Nidimoru and Krishna DK Story : Luv (Vir Das) and Hardik (Kunal Khemu) are two guys who are lost in the world of drugs and daaru. Soon Hardik loses his job and Luv breaks up with his girl friend, they hop onto to their other roommate Bunny’s(Anand Tiwari) goa trip.
Artists, I don’t believe, are normal people They are people who get both affected and inspired by the happenings in this world. Hence it is no surprise that over 32 artists have come together with a painting exhibition of varied works, aptly titled Sanyog, to help the farmers of Maharashtra. Hence I decided to lend
Movie : Nautanki Saala Bollywood Celebden Rating: 4 / 5 Cast: Ayushmann Khurrana, Kunal Roy Kapoor, Pooja Salvi Music: Falak Shabir, Mikey McCleary and Rashid Khan Director: Rohan Sippy Story: Ram Kapoor aka RP (Ayushmann Khurrana) is a stage actor cum director who is well settled and in relationship with Chitra (Gaelyn Mendonca). One day RP accidentally sees Mandar Lele (Kunal Roy Kapoor) committing suicide.
Film : Commando – A One Man Army Bollywood Celebden Rating: 3.5/5 Cast : Vidyut Jammwal, Pooja Chopra, Jaideep Ahlawat Music: Manan Shah Direction: Dilip Ghosh Story : Commando is out and out action packed film. The story is about Karanveer Dogra (Vidyut Jammwal), paragliding commando who ends up in China due to a helicopter crash. But the Chinese government think him as a spy and torture him
As a general rule Akshay Kumar doesn’t work on a Sunday, but he broke it to finish shooting of Milan Luthria’s “Once Upon A Time In Mumbaai 2″. Seven years ago the 45-year-old, also known as Khiladi Kumar, decided that he will not work on a Sunday and devote it to his family.
Imran Khan and Anushka Sharma have replaced Shahid Kapoor and Priyanka Chopra to endorse coffee brand Bru. The “Matru Ki Bijlee Ka Mandola” co-stars admit they enjoyed each other’s company while shooting for the new commercial for it. Anushka says coffee keeps her energy levels high, while for Imran, coffee often becomes a reason to
Remaking Mehboob Khan’s Oscar-nominated “Mother India” is an unachievable feat, says Vidya Balan and if someone dared attempt this, she wouldn’t be a part of this.
Hot and Sexy Babe Nargis Fakhri turns up the heat for GQ India’s April issue.
The Megastar Amitabh Bachchan comes Face-To-Face with Press and Media after a very long time.
Bollywood actress Soha Ali Khan at ELLE BEAUTY AWARDS 2012 at Hotel Trident in BKC, Mumbai. Related posts:Soha Ali Khan Photoshoot For FHM IndiaNo marriage plans right now – Kunal KemmuBeing a ‘Nawab’ is huge responsibility – Saif Ali KhanSoha Ali Khan, Yuvraj Singh at the press conference of ClassmateLife Goes On – Movie ReviewSoha
A title like SHIRIN FARHAD KI TOH NIKAL PADI makes you curious and interested in the movie instantly. What augments your inquisitiveness is the fact that this one’s not a love story concerning teeny boppers. It doesn’t star any hero with a six-pack, neither is the leading lady a seductress.
The Mumbaiya jargon is incredibly popular and quite a few of its expressions and terminology have become a part of life. As a matter of fact, the term ‘lagi huyi hai’, from which the title of this film LIFE KI TOH LAG GAYI has been obtained, is a universally widespread term.
Some films arrive too late in the day. Not only because they have taken a long time to hit the screens, but also because the original source [THE NOTEBOOK] and also its Hindi inspiration [Ajay Devgn's directorial debut U ME AUR HUM] continue to be fresh to this date. ZINDAGI TERE NAAM, directed by Ashu Trikha, suffers for this reason
Be forewarned: Don’t look for logic here! Escapist cinema or films that suspend logic, but entertain, are often at the receiving end of assessors and evaluators. Movies helmed by Rohit Shetty, Sajid Khan, veterans like David Dhawan, Priyadarshan and Anees Bazmee, besides the recent box-office bonanzas featuring Salman Khan, have had to face vicious and destructive criticism. Despite this, films fitting in the genre [escapist fares] have found colossal consent from spectators across the board, primarily because they serve the purpose of keeping you entertained in those two hours.
Some films take a long time to hit the screens. Resultantly, the story appears obsolete, the gags fall flat and the outcome, therefore, lacks fizz
Is HUM TUM SHABANA a present-day adaptation of David Dhawan’s immensely likeable DEEWANA MASTANA? That’s what a lot of people seem to be asking me online. Call it a coincidence, but two guys chasing one girl isn’t new to Hindi movies.
Earlier, those revolting against the negative forces would seek shelter in the jungles. But, over a period of time, more and more films with urban themes started getting made and the new poster boys of the have-nots were born and raised in slums and chawls. SHABRI, directed by Lalit Marathe, tells the story of a gangster from the slums
Dinner table, bed, traffic signal, lounge, multiplex, saloon – These and many more places are what formed various settings for me to read and complete ‘First Day First Show’.
Almost two decades ago, a number of people had reservations when Mani Ratnam’s Tamil film ROJA was being dubbed into Hindi. The purists were of the opinion that the essence would be lost in the process. When released, ROJA was hailed by the Hindi speaking audience as well.
A week or two ago, while surfing the TV channels, I chanced upon this immensely enjoyable Govinda starrer that was being telecast for the umpteenth time. Despite the fact that I had watched it time and again, I decided to watch it yet again, complimenting and applauding Govinda’s natural act and comic timing in the movie. That Govinda is a fabulous actor cannot be denied
Okay, superhero films are the flavor of the season. The super-success of KRRISH and the tremendous hype for RA.ONE only reiterates this fact
Many film-makers in the West have focused on the closeted gay, an unassuming person who likes to remain in the shadows. Similarly, a lot many films have captured the trauma and anguish of the bereaved parents when their child is no more. MEMORIES IN MARCH [English; with generous usage of Hindi and Bengali] is not just about the relationship between gay lovers, but also looks at the suffering and pain a mother goes through when her son dies in a road accident
Hindi cinema is going through a major metamorphosis. Innovative ideas and fresh stories are being developed and executed by Gen X storytellers. BHEJA FRY director Sagar Ballary also tries to attempt something different from what he attempted in his maiden attempt
Each Friday as the new movies release, most of us are eager to know about the movie reviews. In keeping up with this very demand, your favourite Bollywood portal www.bollywoodhungama.com has come up with yet another innovative way through which you can get all the latest movie reviews via SMS on your mobile. The highlight of this unique feature is that it’s absolutely free of cost
A lot of us who’ve grown up on masala cinema of 1970s and 1980s will vividly recall two films made on ichhadhaari naagins – Rajkumar Kohli’s NAGIN [1976] and Harmesh Malhotra’s NAGINA [1986]. Can we ever forget the revenge of the naagin?